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FRAGMENTS OF SOLITUDE

exposure Paulo Guerreiro
(photos, videos, texts)

from 5 March to 1 April 2010

Fragments of a lonely : Songs of Paulo Guerreiro

Paulo Guerreiro wrote his Fragments of a lonely four temps.Il first is a day consumed a trance and a deep melancholy depressive delusions. A day where he is locked in a room in Brussels and he will fix the emotion through images and texts filled with emotion when unreasonable led a painful period of loneliness, sadness, exile, frustration professional Desert lovers and lack untenable those he loves. Photos, flooded with light and color, close-ups are such authentic emotional and sentimental nothingness that surrounds and inhabits deep. His sentences are such words and expel s'envoit to himself, his only interlocutor, sometimes angrily, sometimes with douceur.Après four months With hindsight, he will face his first songs of loneliness trial of Roland Barthes, A Lover's Discourse: Fragments. He will then put excerpts of the book on your photos and resume seven "figures" of Barthes that echo his own pictures. He also writes new sentences, which it abstracts away with enough to comment, though in a very poetic style, the horrors he experienced auparavant.Plus later still, having taken even more distance, it publish in a blog on its web photographic fragments, literary and poetic form of a diary, although public.Enfin with distancing effected by time, and the weakening of the emotional burden, he created three videos, House Trilogy, which complement and complete his Fragments of a solitude, mixing fictional and autobiographical elements in raster images that are overexposed or entirely crossed by a body with jerky movements, turbulent or disturbed.
In this device, it is the emotion which is the starting point and that loneliness is the central theme, both indivisible and universal, these fragments of which cut both the real as imaginary. But, unlike Barthes, who in his pieces for him, writing questions and puts the love relationship with language; Guerreiro directly questions the body and is suffering in relation chair.De this way, it also lets us see the "Figures," precisely "within the meaning gymnastics or dance" that Barthes wanted to give his broken speech.

Drita Kotaji