ERIC ADAM (paintings)
10/12 participates in course-exposure "ADAM IN A FAKE EMPIRE"
from 23 to September 26
opening September 22
+ concert EXCUSEEXCUSE
With three exhibitions Refinery, Brussels branch Charleroi / Danses, ZSenne Artlab space, and space 10/12, the work of the Brussels painter Eric Adam invest during the month of September, the visual landscape and cultural capital. Conceived by the designer
Nixon Fernandes Brussels under the title "Adam in a Fake Empire", a series of artistic interventions, political and civic begin September 6 with a new course of exhibition of works in a dozen windows of the center city. The unusual choice of as an exhibition showcases original mirror that the painter at work in recent years, including a focal point is the coexistence of areas of consumption and poverty in the same visual field areas.
September 22 to 19 hours, a screening of a documentary directed by Adam Eric Jean-Jacques Goffinon mark the opening of the exhibition at ZSenne Artlab, continuing the evening at 20:30 with a concert of electro-punk Excuseexcuse outer space 10/12.
From opening Sept. 23 from 18 am to closing on September 26, the exhibition at The Refinery will be an opportunity to discover the new series "Shop Till You Drop."
On September 25 from 16:30 to 17:30, exposure to the refinery will be an opportunity for public discussion of Eric Adam with Euroblog, Brussels correspondent of the newspaper Liberation, to discuss the work of the painter and his relationship with the social, political and cultural, and instead of a painter in Belgian society of today. The debate will be followed at 18:30 with an intervention by the MEP Katharina Franziska Brantner of the Greens / European Free Alliance in the European Parliament, who will discuss the relationship of the 'European village' of Brussels Brussels culture.
Closing Exhibition on September 26 will be from 19 am to the refinery by a 'dud party' - Fair-trade clothing not barter - to initiate Anouchka Rauzer.
"Eric Adam is the creator of a work graphically powerful and politically engaged who seduces and challenges every citizen who thinks. This explains the unusual mobilization that his work has triggered, "says Nixon Fernandes, the designer of the course exposure. "The title of the exhibition at The Refinery," Adam in a Fake Empire ", quotes a song by American band The National," says art historian Christine Schaetzen. "The reference to the title of the song 'Half Awake In A Fake Empire' - Half-awake in the empire of false - reflects the sentiment of the artist in the lies of the media iconography and destructive power of the idealized image. "
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